Mathieu Deflem
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Published in the series, Sociology of Crime, Law, and Deviance, Volume 18.
Emerald Group Publishing (Bingley, UK), 2013.
ISBN-10: 1783500360 | ISBN-13: 978-1783500369 | Scroll down for PDF file!
Emerald Group Publishing (Bingley, UK), 2013.
ISBN-10: 1783500360 | ISBN-13: 978-1783500369 | Scroll down for PDF file!
SYNOPSIS
The chapters in this volume present social-science and legal perspectives on various conditions and implications of the connection between music and law. In view of recent developments in internet technology and changes in the music industry, the legal issues posed by music as a form of artistic expression have become more urgent to be addressed than ever before. The chapters deal with a multitude of legal issues of music, including copyright violations, normative frameworks to address piracy and other forms of deviance, prison iconography in pop music, and revealing of the nexus between the legal and the artistic. Unrestricted with respect to theoretical approach and methodological orientation, the chapters in this volume are usefully diverse in addressing various dimensions of music and law. The context of analysis of the chapters is also decidedly comparative and international. Students and scholars in law, music, sociology, and business will be able to benefit from the insights presented in this volume.
This volume appears as Volume 18 in the series Sociology of Crime, Law and Deviance.
This volume appears as Volume 18 in the series Sociology of Crime, Law and Deviance.
TABLE OF CONTENTS
INTRODUCTION: THE LAWS OF MUSIC [online copy]
Mathieu Deflem
Part I: Norms and Sanctions
IF REAGAN PLAYED DISCO: ROCKING OUT AND
SELLING OUT WITH THE TALKING HEADS OF POLITICAL CAMPAIGNS AND THEIR
UNAUTHORIZED USE OF MUSIC
Danwill
David Schwender
GRADUATED
RESPONSES TO ONLINE PIRACY: APPROACHES TAKEN IN THE UNITED STATES AND AROUND
THE WORLD
Serona
Elton
Music identities, individualization, and ownership
shifts: Empowering a litigious paradigm of copyright protection
Mitch Daschuk and James Popham
THE BAND: ARTISTIC, LEGAL, AND FINANCIAL STRUCTURES WHICH SHAPE MODERN MUSIC
Mitch Daschuk and James Popham
THE BAND: ARTISTIC, LEGAL, AND FINANCIAL STRUCTURES WHICH SHAPE MODERN MUSIC
Jon
M. Garon
Part II: Politics and Culture
THE POLICY OF ELECTRO-AMPLIFIED POPULAR MUSIC
IN FRANCE: THE LIBERAL CONTEXT AND THE REGULATION OF REBELLIOUS CULTURES
Jean-Marie
Seca
Cynthia
R. Nielsen
CULTURAL NORMS
OF JAPANESE FOLK AND TRADITIONAL MUSIC
Masaya Takahashi
Heitor Alvelos
PRISON
AND POP
Victor
P. Corona
Part III: Illegality and Deviance
Sara
Towe Horsfall
STOLEN OR RELEASED MUSIC? THE SOCIAL CONSTRUCTION OF PIRACY IN ITALY
Cecilia
Blengino
EMPIRICAL INSIGHTS INTO RECORDED MUSIC CONSUMER BEHAVIOR AND COPYRIGHT INFRINGEMENT
Juan
D. Montoro-Pons and Manuel
Cuadrado-GarcĂa
Book review: Criminologia.de (in German): "This edited volume provides an excellent insight into the diverse subject area and various intersections of music and law. Here, the internationality and interdisciplinarity of authorship is particularly noteworthy and grants fascinating insights into the different local cultures and legal systems." --Christian Wickert, University of Hamburg, Institute for Criminological Research.
AVAILABILITY
Physical copies of this book can be obtained via internet stores or through Amazon/resellers.
Available as PDF file.
Also available online in the Sociology of Crime, Law and Deviance series (subscription).
See other edited books by Mathieu Deflem.
Also available online in the Sociology of Crime, Law and Deviance series (subscription).
See other edited books by Mathieu Deflem.